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TAYLOR’S IMPROBABLE DAD-ROCK MOMENT

When Taylor Swift surprise-released folklore on 7/24 amid the pandemic, she probably wasn’t expecting the album to become an occasion for bonding between fathers (fans of Bon Iver, The National and Jack Antonoff—who produced Lana Del Rey’s Norman Fucking Rockwell) and their daughters (the Swiftys), who are sheltering at home together.

Messages from dads delightedly describing the experience of sharing the Taylor record with their daughters are all over social media, HITS President and Alternative-music luminary Karen Glauber tells us. Mark it up as yet another surreal occurrence in a year unlike any we've experienced—but in this case it's a happy one for a change.

ATLANTIC UNVEILS NEW LEADERSHIP STRUCTURE
The Elliot era begins. (9/24a)
AN OCEANIC HITS LIST
Changes coming in waves. (9/24a)
CALL MY AGENT:
NICK STORCH
The latest in a series of live-exec trading cards (9/24a)
MARVIN SCHLACHTER,
1934-2024
Indie-label great walks on by. (9/20a)
WALLEN BREAKS ATTENDANCE RECORD IN KNOXVILLE HOMETOWN
Tennessee orange (9/23a)
THE GRAMMY SHORT LIST
Who's already a lock?
COUNTRY'S NEWEST DISRUPTOR
Three chords and some truth you may not be ready for.
AI IS ALREADY EATING YOUR LUNCH
The kids can tell the difference... for now.
ALL THE WAY LIVE
The players, the tours, the enormous beers.
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